I was thinking about how much of Star Wars IV that I don’t care to rewatch. Like the whole first 1\/3. Up until Luke partners with Han and they leave the planet with Obi-Wan and the droids, it’s all exposition.\u00a0 It’s all setup.\u00a0 Same shit with Episode VI: Basically, I don’t recall or care to rewatch the entire sequence with Jabba the Hut.\u00a0 And I don’t much care for the death of Yoda either.\u00a0 It’s not until the battle of Endor that I really get into the movie. The irony with both films is that the endings were so much fun that I forget how bad the beginnings were and feel good leaving the theater.\u00a0 That’s exactly where Episode V fails.\u00a0 It doesn’t end on a high note, so it leaves you with a bad taste in your mouth so there’s nothing to distract you from how dull the entire movie was until then.\u00a0 In fact, the whole entire movie is as exposition-y as the crappy parts of IV and VI.\u00a0 That’s why it’s so crappy in my view.\u00a0 It’ll make more sense as you read on.<\/p>\n
When I look back at the Star Wars films, I realize how little I would appreciate them if I saw it as an adult. In fact, I was too young to understand a majority of each Star Wars movie when I saw it the first time.\u00a0 By the time I could appreciate how movies rely on reveals and twists for hightened drama, I already knew the reveals, thereby neutralizing the drama, thereby neutralizing the entire Episode V: The Empire Strikes Back.<\/p>\n
Then I wondered if I’m being too hard on new films as an adult.\u00a0 If I saw any of my favorite movies, I could be hard pressed to enjoy them, because I might be a little too critical. (Like the video troll here https:\/\/www.youtube.com\/watch?v=qp-E0KXQoUU, https:\/\/www.youtube.com\/watch?v=ZEClNaZh-EU, https:\/\/www.youtube.com\/watch?v=KGGUX4_0HQY).\u00a0 I think when I watch new movies, I’m going to remind myself that all my favorite movies have crappy sequences, even crappy entire acts, but I still appreciate the good in them<\/strong>.\u00a0 So I might as well look for the good in a movie than expect a perfectly tidy or completely engaging film.<\/p>\n All Great Movies Have Unwatchable Lulls<\/p>\n Like the Matrix, which is just too exposition-y right up until he wakes up in the real world in the human farm.\u00a0 From then on the movie is engaging. Until then, it was mysterious and at best interesting.<\/p>\n Terminator 2 has the significant lull smack in the middle, but then it reboots itself.<\/p>\n Speed actually is non-stop amazing until the final act, when it gets repetitive. That’s one instance that the beginning and majority of the movie was SO good that the failure of the third act actually pulled away from our memory of the film, reminding me how important it is that you leave the theater on good terms with the audience.<\/p>\n Jurassic Park is actually pretty boring until… Dennis steals the embryos and the nightmare starts, but we were pulled through by the general good feeling of exploring a new world.<\/p>\n Armageddon actually had like 10 minutes before even introducing the miners, then like 20 minutes before they were told about the mission at NASA. Basically, the movie started when they went through the tests (NASA approved). Before that it was exposition, setup.<\/p>\n Same with The Rock. It’s not until the The Chase that the movie comes into its own. Until then, we were being introduced to the threat, and introduced to the heroes, but they hadn’t engaged in the mission. After the chase, the heroes finally engage the threat and the movie begins.<\/strong><\/p>\n It’s making me wonder if the setup is my least favorite part of every movie, or more clearly, it makes me wonder if I consider a movie to be the action sequences where the characters are actually engaging the threat, and every associated scene.\u00a0 Everything else is setup – and not yet the movie I come back to see over and over again.\u00a0 \u00a0In this sense, “the movie” is the part I remember, the part I’m engaged with, the part I return to watch.\u00a0 To me, setup is not part of “the movie”, although it is critical.<\/p>\n “I consider a movie to be the action sequences where the characters are actually engaging the threat, and every associated scene.” I guess it’s really “characters in conflict”. But not just any conflict. Characters in conflict against a clear threat or clear villain.\u00a0 It’s\u00a0Characters in conflict on a mission.<\/strong>\u00a0 Before that, conflict is just there but there’s no clear mission.\u00a0 Rather, the characters haven’t engaged that mission.<\/p>\n I guess that’s what makes Terminator 2 work. The mission of the first half is survival, the mission of the second half is “save the future” (and survival).<\/p>\n When does the mission kick in in Avatar? Maybe you can tell me because I wasn’t really watching.\u00a0 I clocked out mentally like 30 or 40 minutes into the film, some time (maybe a long time) before Jake decides to defend the Navi, which is what I figured (from the start) was gong to be the main mission.\u00a0 So maybe I was waiting for him to engage his mission for way too long, and mentally clocked out before he did, so by the time it came I didn’t care anymore.<\/p>\n So what I learned today is how to express what I consider “the movie”, and my objective for making a “good” movie.\u00a0 When I make a film, I have to remember to minimize Act 1 (exposition, the set up) and make sure the rest of the film has a clear mission that the characters are actually actively engaging.\u00a0 It might be possible to create a movie that narrates the exposition, and starts with the mission, saving me and the audience all of Act 1.\u00a0 But it might be too jarring.\u00a0 We’re tuned to ease into a world, and it takes time to come to a liking of the character, so maybe that’s the purpose of the setup.\u00a0 I’ll be thinking about that, while writing “the movie”.<\/p>\n I wonder if I could re-edit “The Matrix” with a “Previously on: The Matrix” recap of everything before the red pill and the blue pill.\u00a0 I wonder if I could do the same with Star Wars IV and The Rock.\u00a0 Could a stranger appreciate the movies as I do if they only had one or two minutes to recap?\u00a0 I think so.\u00a0 It would be no different than re-watching Star Wars with the context of already knowing who Luke and Obi-Wan are.\u00a0 After all, it wasn’t until the second viewing of The Rock that I fell in love with it, and where did I pick up?\u00a0 At the roach scene.\u00a0 Maybe 10-15 minutes into the movie.\u00a0 It’s the rest of the movie that hooked me.\u00a0 Can I open a movie with a recap?\u00a0<\/strong> I think so.\u00a0 Am I brave enough to try it on my first film?\u00a0 Probably not, but I’ll keep it in mind for sure!<\/p>\n ~G<\/p>\n P.S. Titanic, on the other hand, is an enigma.\u00a0 It’s about survival (don’t you have any other themes, Jim?) because the opening sequence establishes that it all ends with a sunken ship, so the whole movie we know what will be the character’s objective – to survive.\u00a0 So we had a mission — but not the real mission.\u00a0 Because he instead gave us the whole forbidden love story to pull us through the whole movie.\u00a0 But even so, the lingering threat was there – except in this case, the heroes didn’t engage the threat.\u00a0 Well… until the last hour of the film as it’s sinking.\u00a0 Like Jurassic Park it becomes a relentless tour de force for survival until the bitter end.\u00a0 Which I guess is the part of the movie I remember most.\u00a0 Interesting.\u00a0 (Actually, the part I remember most is when she goes below deck and they’re dancing… and later make love… It’s the whole having fun part of the movie).\u00a0 Or maybe it doesn’t have a clear mission which I why it’s not a movie I return to watch, ever.\u00a0 But when I have, it’s strikingly gripping for some reason.\u00a0 I guess it’s the strong characters and inter-personal conflict which heightens and is heightened by the whole ship sinking sequence.<\/p>\n
\n–Glenn Duenas<\/strong><\/p>\n